Extended Architecture - significado y definición. Qué es Extended Architecture
Diclib.com
Diccionario ChatGPT
Ingrese una palabra o frase en cualquier idioma 👆
Idioma:

Traducción y análisis de palabras por inteligencia artificial ChatGPT

En esta página puede obtener un análisis detallado de una palabra o frase, producido utilizando la mejor tecnología de inteligencia artificial hasta la fecha:

  • cómo se usa la palabra
  • frecuencia de uso
  • se utiliza con más frecuencia en el habla oral o escrita
  • opciones de traducción
  • ejemplos de uso (varias frases con traducción)
  • etimología

Qué (quién) es Extended Architecture - definición

OVERALL STRUCTURE OR PLAN OF A PIECE OF MUSIC
Musical forms; Form (music); Sectional form; Musical architecture; Architecture (music); Extended form
  • "Greensleeves" as an example of Binary Form.

Extended Architecture      
<storage> (XA) A CD-ROM drive specification required by Green Book CD-ROM and White Book CD-ROM formats. Drives labelled "XA ready" may require a firmware upgrade. (1994-11-02)
The Extended Phenotype         
  • A [[beaver dam]], an example of an organism altering the environment in which it evolves — the first form of extended phenotype
  • reed warbler]] raising the young of a common cuckoo
BOOK WRITTEN BY RICHARD DAWKINS, ABOUT THE EXTENSION OF THE PHENOTYPE TO ETHOLOGY
Extended phenotype; Extended Phenotype; The extended phenotype
The Extended Phenotype is a 1982 book by the evolutionary biologist Richard Dawkins, in which the author introduced a biological concept of the same name. The main idea is that phenotype should not be limited to biological processes such as protein biosynthesis or tissue growth, but extended to include all effects that a gene has on its environment, inside or outside the body of the individual organism.
extended memory         
  • Extended memory is located above 1 MB.
Extended Memory Specification; Extended Memory; EXtended Memory Specification; Extended memory specification; Extended memory manager; Extended Memory Manager; XMS memory; Super extended memory; SXMS; XMSXXXX0; XMS (memory management); Extended Memory Specification 2.0; Extended Memory Specification 3.0; XMS 2.0; XMS 3.0; Extended-memory; Extended Memory Specification Version 3.0; XMS specification; Extended Memory Specification Version 2.0; Extended memory space
<storage> Memory above the first megabyte of address space in an IBM PC with an 80286 or later processor. Extended memory is not directly available in real mode, only through EMS, UMB, XMS, or HMA; only applications executing in protected mode can use extended memory directly. In this case, the extended memory is provided by a supervising protected-mode operating system such as Microsoft Windows. The processor makes this memory available through a system of global descriptor tables and local descriptor tables. The memory is "protected" in the sense that memory assigned a local descriptor cannot be accessed by another program without causing a hardware trap. This prevents programs running in protected mode from interfering with each other's memory. A protected-mode operating system such as Windows can also run real-mode programs and provide expanded memory to them. DOS Protected Mode Interface is Microsoft's prescribed method for an MS-DOS program to access extended memory under a multitasking environment. Having extended memory does not necessarily mean that you have more than one megabyte of memory since the reserved memory area may be partially empty. In fact, if your 386 or higher uses extended memory as expanded memory then that part is not in excess of 1Mb. See also conventional memory. (1996-01-10)

Wikipedia

Musical form

In music, form refers to the structure of a musical composition or performance. In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."

Form refers to the largest shape of the composition. Form in music is the result of the interaction of the four structural elements described above [sound, harmony, melody, rhythm]."

These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated primarily through cadences, phrases, and periods. "Form refers to the larger shape of the composition. Form in music is the result of the interaction of the four structural elements," of sound, harmony, melody, and rhythm.

Compositions that do not follow a fixed structure and rely more on improvisation are considered free-form. A fantasia is an example of this. Composer Debussy in 1907 wrote that, "I am more and more convinced that music is not, in essence, a thing that can be cast into a traditional and fixed form. It is made up of colors and rhythms."